Even Ghouls Get the Blues

Design, Illustrations

Care of Cell 44

Halloween aftermath/welcome to November: For the past two weeks, I’ve had the pleasure of collaborating with long-time friend Jesse Paris Smith and her fantastic New York-via-Michigan band Belle Ghoul. They specialize in spectral, lush, sugary pop, having recently released an EP of their own compositions through Elefant Records, as well as a smattering of singles, self-released tracks, and covers.

Jesse asked me to come up with artwork to accompany and promote their online-only/free-downloadable take on the Zombies classic Care of Cell 44—she said they were looking for a visual that was “sweet but spooky”.  In case you’re not familiar with this little gem of 1960s British pop, Care of Cell 44 is written as a tender letter from a narrator who’s anxious to see his lover, after she’s completed an extended jail sentence for an unspecified crime.

Swords & Sorcery, Screens & Pixel Logic

Design, Illustrations, Open Road Media

Cover art & design for science-fiction/fantasy e-book published by Open Road Media. Art director: Andrea C. Uva.

A few months ago, I was contacted by Open Road Integrated Media—a New York-based digital publisher and multimedia content company—to design and illustrate some covers for e-books by two well-established fantasy and science fiction authors.

Four of these books, which were originally published in printed form in the 1980s, were written by Jane Yolen; a prolific wordsmith with scores of eclectic  narratives and multiple accolades to her credit, including the Nebula and World Fantasy awards, as well as the Caldecott Medal.

It was a refreshing challenge to work on these covers, since I knew very little about science fiction and fantasy before this assignment came along. Being an avid comics reader while I was growing up, I became familiar with the work of some esteemed illustrators of the sword & sorcery genre like Frank Frazetta and Boris Vallejo, and I even had some exposure to the spaceships and Martians of Frank Kelly Freas (who I knew through his terrific covers and ad parodies for some 1960s issues of MAD Magazine that my dad had). However, these fleeting acquaintances came only through the casual overlapping of these artists with the world of word bubbles and leaping superheroes.