The Future’s Past, By Way of Modern Irish Fables

July 2, 2013 § Leave a comment

These are some of the cover designs I worked on recently for a series of science fiction novels by Irish author Ian McDonald. These novels have just being released today, in e-book form, from Open Road Integrated Media (for whom I also did other cover designs, blogged here a few weeks ago).

Cover art & design for science-fiction/fantasy e-novel published by Open Road Media. Art director: Andrea C. Uva.

Most of these books appeared originally in printed form sometime between the late ’80s and early ’90s. Going by the detailed briefs the art director sent me, I got the sense that these are imaginative, unsettling novels with layered narratives that deal with political and moral issues; as much as they are time-warped fables populated by improbable, somewhat tormented characters.

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Swords & Sorcery, Screens & Pixel Logic

June 18, 2013 § 4 Comments

Cover art & design for science-fiction/fantasy e-book published by Open Road Media. Art director: Andrea C. Uva.

A few months ago, I was contacted by Open Road Integrated Media—a New York-based digital publisher and multimedia content company—to design and illustrate some covers for e-books by two well-established fantasy and science fiction authors.

Four of these books, which were originally published in printed form in the 1980s, were written by Jane Yolen; a prolific wordsmith with scores of eclectic  narratives and multiple accolades to her credit, including the Nebula and World Fantasy awards, as well as the Caldecott Medal.

It was a refreshing challenge to work on these covers, since I knew very little about science fiction and fantasy before this assignment came along. Being an avid comics reader while I was growing up, I became familiar with the work of some esteemed illustrators of the sword & sorcery genre like Frank Frazetta and Boris Vallejo, and I even had some exposure to the spaceships and Martians of Frank Kelly Freas (who I knew through his terrific covers and ad parodies for some 1960s issues of MAD Magazine that my dad had). However, these fleeting acquaintances came only through the casual overlapping of these artists with the world of word bubbles and leaping superheroes. « Read the rest of this entry »

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